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TCSC 2009 International Competition, Nashville, Tennessee.
Songs: Kiss Me One More Time and Yes, Sir, That's My Baby [More Photos]
Master Director: Judy Olson.
Onstage: 64.
Score: 1076
Sound: 69 & 64, 65 & 63. Total 261.
Music: 69 & 68, 66 & 65. Total 268.
Expression: 67 & 69, 66 & 68.
Total 270. Showmanship: 68 & 67, 72 & 70. Total 277.
COMPETITIONS ARE A LARGE AND IMPORTANT PART IN THE LIFE OF A TCSC MEMBER. The chorus this year invited members from other choruses in the region to experience the international stage with us. Members from Zumbro Valley, Vallee de Croix, and City of Lakes joined us for the experience. We THANK YOU ladies for adding your voices to our sound. By the competition rolled around, we were very optimistic and felt probably the most prepared we'd ever been that we could better our Regional score of 610. Most felt they had done their absolute best just prior to stage and we all came off feeling really good about our performances and scores - especially after having watched the winning choruses! Talk about an exciting competition! The 2nd place Audience Favorite had one of the most creative packages seen yet. They did a simulated a video "replay" and "rewind" and "slow motion" and "fast forward" - doing their choreography BACKWARDS! WOW! We can only say we were privileged to be there on the same stage with all the great competitors.
Many thanks goes to Mary Lois Dick [we consider her one of our own], and several other fabulous international vocal coaches including Kim Hulbert, Jean Barford, and Tori Postma.
Judy, our director, says "thank you to each individual member" for choosing personal responsibility (CPR) and adding to her own individual "bricks of knowledge and skill" to our barbershop "wall" of sound and performance. A chorus is only as good as each singer decides it can be. We thank those members of City of Lakes, Vallee de Croix, and Zumbro Valley who joined us onstage for a truly great experience.
We are committed to building on what we've learned, both individually, and as a chorus, and were proud to be representing Region Six at International Competition in Nashville, Tennessee, October 20-24, 2009.
We hope to qualifies for International Competition in Houston, Texas in 2011. Along with the Overall Regional Championship, we have won the Region 6 Chorus Midsize Division AA (45-65 members) 6 times running!
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Sound Judge Comments: Sharon Babb. Song 1 Score: Kiss Me - 69, Song 2 Score: Yes, Sir - 65. Total 134
UNIT SOUND (0-70 POINTS)
- Vocal Skills (Posture, breathing, phonation, resonation, articulation): Resonation - Keep on developing
- Accuracy (notes, intervals, chords, tuning/intonation, section/part accuracy, synchronization): Intervals - 1st Bye - Eye (up); Tuning - big area needing work; Synchronization - problems in uptune
- Barbershop Blend (tone production, vowel production): Vowel production - "say, Pay, Loud - need work
- Barbershop Balance: no notes
ARTISTIC SOUND (0-30 POINTS)
- Energized vocal line: no comments
- Tone flow: Sometimes halting - keep it moving forward
- Dynamic flexibility: no comments
- Vocal style: no comments
PERFORMANCE EVALUATION
An energetic vocal start - good! Now keep that tone in shape even during the pp passages.
OCCASSIONAL individual qualities piercing the veil of unit sound.
Keep working on matching resonances within sections. Lift that tag into full complete tune.
Another compelling start but tuning error and synchronization glitches marred early parts of the song.
You are singing with such joy in this uptune, but precision in tuning and larger degree of stamina required for better accuracy in it |
Sound Judge #2 Comments: Bobbette Gantz. Song 1 Score: Kiss Me - 64, Song 2 Score 63. Total 127
Some tuning issues on that challenging intro. All voices need to tune to chords.
Individual voices coming out on sound on softs.
Tuning within sections questionable - be sure all voices agree on the same spot on the nots.
Many strong voices that now need to work relentlessly together to create consistently and flawlessly tuned chords. Clean up the synch to further aid in tuning.
Cone: Not consistent yet. |
Music Judge#1 Comments: Marge Bailey. Song 1 Score: Kiss Me - 69, Song 2 Score: Yes Sir - 66. Total 135
SONG ARRANGEMENT (0-30 points)
- Merit as Barbershop material: Song #1 ok, Song #2 a bit busy
- Form/Melody/Lyrics
- Arrangement
PERFORMANCE (0-70 POINTS)
- Vocal Skills: coming along
- Harmony Accuracy: good
- Barbershop Style
- Temp
- Rhythm
- Musical Unity: pretty good
- Phrasing
- Dynamics: almost too much soft on ballad
- Musical Energy:
- Musical Artistry:
PERFORMANCE EVALUATION
Good tender beginning to this fine song & arrangement. Soft passages are a little long to carry out the drama of this song. Some tuning issues affect accuracy. A very careful performance. A bit ploddy in spots.
A good start to this busy song & arrangement. Well, the YA SHOUR is just great. You're doing a fine job of keeping this together - but tuning & stamina are suffering at end of song.
SUITABILITY TO PERFORMER: #1 Good choice for you. #2 You run out of gas before you reach the station in this number.
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Music Judge#2 Comments: Carolyn Healey. Song 1 Score: Kiss Me - 68, Song 2 Score: Yes Sir - 65. Total 133
SONG ARRANGEMENT (0-30 points)
- Merit as Barbershop material: Both fine for this venue
- Form/Melody/Lyrics
- Arrangement
PERFORMANCE (0-70 POINTS)
- Vocal Skills: fairly good
- Harmony Accuracy: a few issues
- Barbershop Style
- Temp
- Rhythm
- Musical Unity:
- Phrasing: work here
- Dynamics: work here
- Musical Energy:
- Musical Artistry:
PERFORMANCE EVALUATION
#1This ballad has everything - beautiful lyrics, strong chords and progressions and an exciting climax - the phrases need more forward motion - each phrase must enertize into the next phrase - not all voices are able to execute your dynamic plan. They had difficulty dutting back the volume to match the rest of the chorus.
#2 you had a very strong start to this fun uptune - the tempo is fine but is presenting a few challenges to you, especially at the very rapid tempo at the end! Last chord was pushed beyond a good musical product.
SUITABILITY TO PERFORMER: #1 OK. #2 very challenging |
Expression Judge#1 Comments: Carole Kirkpatrick. Score Song 1 Kiss Me: 69. Score Song 2 Yes Sir: 68. Total 137.
BASIC REQUIREMENTS (0-40 POINTS):
- Vocal Skills: Your work shows - continue to strengthen
- Synchronization: an area that needs attension
- Vowels: Need more consistent resonance
- Diphthongs: "PAY" turn
- Consonants
- Enunciation
ARTISTIC LYRICAL INTERPRETATION (0-60 POINTS)
- Lyric Flow
- Phrasing
- Embelishments
- Dynamics:
- Tempo rhythm
- Inflection: YA SURE - Great!
- Energy:
- Finesse:
- Emotional communication:
PEFORMANCE EVALUATION: A good phrase plan moving forward nicely. Synch issues apparent within words as not singers going from voel to consonant together. For added vocal drama add a more varied dynamic plan.
A good start! Tempo you have set is right, but it isn't staying consistant - be sure phrase ends are fully stretched and lifted. Fast tempo pick is effective but a bit choppy as to lyric line delivery. |
Expression Judge#2 Comments: Betty Clipman. Score Song 1 Kiss Mer: 67. Score Song 2 Yes Sir: 66. Total 133
BASIC REQUIREMENTS (0-40 POINTS):
- Vocal Skills: continue to strengthen support and resonant vowels
- Synchronization
- Vowels
- Diphthongs
- Consonants
- Enunciation
ARTISTIC LYRICAL INTERPRETATION (0-60 POINTS): these levels will improve with a higher level of mastery of the basics.
- Lyric Flow
- Phrasing
- Forward motion
- Embelishments
- Dynamics: Need lyrical clarity
- Tempo rhythm
- Inflection
- Energy: inconsistent
- Finesse: not yet
- Emotional communication: not yet
PERFORMANCE EVALUATION:
Lots of energy at the start. "How can a kiss" lost emergy and lyric flow. Keep the lyric line solid with consistent vowel to vowel delivery.
Softs need much more energy to stay solid and support.
Open of song #2 had good energy. Chorus - word delivery got chopy and out of synchronization. This challenging song needs stronger execution of the basics in order to be performed at a high level. |
Shownmanship Judge#1 Comments: Bonnie McKibben. Score Song 1 Kiss Me: 67. Score Song 2: 70 Total Score: 137
PERFORMANCE (0-70 POINTS)... Communication of the visual & musical product:
- Vocal Skills: Good work shows, keep it coming
- Energy: keep it consistent
- Poise & Command: you bet
- Entrance/break/exit
- Characterization: Not fully developed
- Physical Expression:
- Choreography:
- Unity: strengthen
- Audience Rapport:
- Pitch pipe technique
- Posture
PREPARATION (0-30 POINTS) Visual Plan:
- Entrance/break/exit:
- Costume: lovely on all
- Makeup/Grooming: more consistency of makeup application needed
- Choreography: needed a more creative plan
- Creativity
PERFORMANCE EVALUATION
Welcoming smiles as the lights came up. Maintain that same level of connection to the audience by adding a stronger sense of performance energy and a more solid commitment to the character.
Fun uptune - good use of commedy to draw us in! Choppy choreography causing visual sync errors - all not interpreting moves in the same manner. Strive for a more solid unit.
Director: Fun and playful! |
Shownmanship Judge#2 Comments: Gina Kaiser. Score Song 1 Kiss Me: 68. Score Song 2: 72 Total Score: 140
PERFORMANCE (0-70 POINTS)... Communication of the visual & musical product:
- Vocal Skills: Shows
- Energy: Develop more excitement in it
- Poise & Command: shows
- Entrance/break/exit:
- Characterization: stretch it more! You can...
- Physical Expression: some coming through
- Choreography: add more intention - it's there
- Unity: good
- Audience Rapport: tighten even more
- Pitch pipe technique
- Posture
PREPARATION (0-30 POINTS) Visual Plan:
- Entrance/break/exit:
- Costume: good style & fit
- Makeup/Grooming: Lovely
- Choreography: Good plan / develop ballad plan even more for greater visual impact
- Creativity: Shows
PERFORMANCE EVALUATION
Warm welcome on entrance. Faces are emoting. Add even more drama to more fully communicate your lyrical story. Physical expression is there. The performance is a bit contianed - risk and dare more emotionally. You are on the right track. Let go more of this emotional message - you can.
Cuter character began to emerge. Go further - Oh boy- you did there! You are really going in the right direction! Now heighten that character - make changes even more dramatic and emphatic! Go for it all you are the gals to do it. Good solid foundation to build on.
Director: Wow! Really adds to visual |
| CHORUS SEMIFINALS |
#on
stage |
|
Sound |
Music |
Expression |
Showmanship |
Plty |
TotalJ2 |
Plcmt |
| Tabulation |
J1 |
J2 |
T |
J1 |
J2 |
T |
J1 |
J2 |
T |
J1 |
J2 |
T |
Houston Horizon
Roses of Yesterday
Ya Gotta Know How to Love |
91 |
S1 |
81 |
80 |
161 |
80 |
78 |
158 |
81 |
80 |
161 |
78 |
79 |
157 |
|
1269 |
11 |
| S2 |
82 |
79 |
161 |
78 |
77 |
155 |
80 |
79 |
159 |
78 |
79 |
157 |
| Bay Area Showcase Chorus. Like a Song, Love Medley |
95 |
S1 |
78 |
78 |
156 |
79 |
77 |
156 |
80 |
82 |
162 |
78 |
80 |
158 |
|
1256 |
12 |
| S2 |
77 |
74 |
151 |
79 |
80 |
154 |
83 |
82 |
165 |
78 |
76 |
154 |
Choral-Aires Chorus
Strike Up the Band
At Last |
94 |
S1 |
79 |
81 |
10 |
79 |
79 |
158 |
74 |
77 |
151 |
75 |
76 |
151 |
|
1242 |
13 |
| S2 |
80 |
79 |
159 |
79 |
80 |
159 |
77 |
78 |
155 |
75 |
74 |
149 |
Spirit of Detroit
How Deep is the Ocean
Rock A Bye Your Baby |
82 |
S1 |
78 |
73 |
151 |
77 |
74 |
151 |
79 |
75 |
154 |
83 |
81 |
164 |
|
1239 |
14 |
| S2 |
78 |
74 |
152 |
78 |
74 |
152 |
77 |
75 |
162 |
83 |
80 |
163 |
Surrey Harmony Chorus
I Never Meant to Fall in Love. Dixieland One-Step |
73 |
S1 |
77 |
75 |
152 |
76 |
78 |
154 |
78 |
79 |
157 |
75 |
77 |
152 |
|
1237 |
15 |
| S2 |
76 |
78 |
154 |
78 |
78 |
156 |
78 |
80 |
158 |
76 |
78 |
154 |
Tune Town Show Chorus
Don't Break the Heart
All the Way |
92 |
S1 |
78 |
76 |
154 |
79 |
78 |
157 |
78 |
77 |
155 |
78 |
79 |
157 |
|
1237 |
16 |
| S2 |
74 |
75 |
149 |
78 |
79 |
157 |
75 |
78 |
153 |
77 |
78 |
155 |
Harbor City Music Company.
If I Loved You
Nobody's Sweetheart Medley |
58 |
S1 |
73 |
70 |
143 |
76 |
78 |
154 |
77 |
79 |
156 |
78 |
79 |
157 |
|
1222 |
17 |
| S2 |
76 |
70 |
146 |
76 |
78 |
154 |
79 |
77 |
158 |
79 |
77 |
156 |
Alaska Sound Celebration
There Goes My Heart
Oh You Beautiful Doll |
75 |
S1 |
78 |
78 |
156 |
72 |
74 |
146 |
71 |
74 |
145 |
76 |
77 |
153 |
|
1205 |
18 |
| S2 |
80 |
76 |
156 |
73 |
74 |
147 |
74 |
72 |
146 |
77 |
78 |
156 |
Royal River Chorus
Sweet Georgia Brown
How Deep is the Ocean |
62 |
S1 |
72 |
75 |
147 |
73 |
75 |
148 |
76 |
74 |
150 |
78 |
77 |
155 |
|
1184 |
19 |
| S2 |
68 |
70 |
138 |
71 |
773 |
144 |
75 |
76 |
151 |
75 |
76 |
151 |
Lacy City Chorus
What'll I Do
How Many Hearts |
84 |
S1 |
84 |
75 |
148 |
78 |
77 |
155 |
72 |
70 |
142 |
73 |
74 |
147 |
|
1168 |
20 |
| S2 |
70 |
75 |
145 |
76 |
74 |
150 |
68 |
71 |
139 |
79 |
72 |
142 |
Celebrity City Chorus
Mistakes
Please Don't Talke about Me |
70 |
S1 |
73 |
69 |
142 |
74 |
70 |
143 |
75 |
73 |
148 |
74 |
74 |
148 |
|
1168 |
21 |
| S2 |
74 |
69 |
143 |
76 |
72 |
148 |
74 |
733 |
147 |
73 |
75 |
149 |
Metro Nashville Chorus
How Many Hearts
There Goes My Heart |
39 |
S1 |
75 |
78 |
153 |
71 |
73 |
144 |
73 |
71 |
144 |
68 |
70 |
138 |
|
1155 |
22 |
| S2 |
76 |
74 |
150 |
72 |
74 |
146 |
70 |
72 |
141 |
70 |
68 |
139 |
| Canadian Showtime Chorus.
If I Give My Heart to You, Oh You Beautiful Doll |
80 |
S1 |
70 |
66 |
136 |
71 |
72 |
143 |
76 |
73 |
149 |
74 |
75 |
149 |
|
1150 |
23 |
| S2 |
67 |
70 |
137 |
71 |
72 |
143 |
74 |
71 |
145 |
74 |
75 |
148 |
Sounds of Pittsburgh
Alabamy Jubilee Bound
My Foolish Heart |
80 |
S1 |
73 |
75 |
148 |
70 |
72 |
142 |
66 |
68 |
134 |
69 |
66 |
135 |
|
1120 |
24 |
| S2 |
75 |
72 |
147 |
69 |
72 |
250 |
68 |
70 |
248 |
67 |
69 |
136 |
Circular Keys Chorus
There Goes My Heart, I'll Never Say Never Again |
68 |
S1 |
69 |
68 |
137 |
72 |
68 |
140 |
68 |
66 |
142 |
72 |
74 |
146 |
|
1110 |
25 |
| S2 |
66 |
64 |
130 |
72 |
70 |
142 |
68 |
67 |
135 |
72 |
74 |
146 |
| Five Valley Chorus. I Never Meant to Fall in Love, Who's Sorry Now |
74 |
S1 |
73 |
71 |
144 |
66 |
68 |
138 |
68 |
69 |
137 |
69 |
67 |
136 |
|
1087 |
26 |
| S2 |
72 |
68 |
140 |
66 |
64 |
130 |
68 |
66 |
134 |
68 |
64 |
132 |
Wailkato Rivertones
At Last, My Honey's Lovin' Arms |
68 |
S1 |
68 |
65 |
133 |
67 |
65 |
132 |
65 |
63 |
128 |
70 |
72 |
142 |
|
1079 |
27 |
| S2 |
72 |
70 |
142 |
69 |
66 |
135 |
64 |
62 |
126 |
71 |
70 |
141 |
| Twin Cities Show Chorus. Kiss Me One More Time, Yes Sir, That's My Baby |
64 |
S1 |
69 |
65 |
134 |
69 |
65 |
135 |
67 |
66 |
133 |
68 |
72 |
140 |
|
1076 |
28 |
| S2 |
64 |
63 |
127 |
68 |
65 |
133 |
69 |
68 |
137 |
67 |
70 |
137 |
Vienna-Falls Chorus
I Never Meant to Fall in Love, How Many Hearts |
69 |
S1 |
70 |
69 |
139 |
66 |
64 |
130 |
66 |
64 |
130 |
67 |
68 |
135 |
|
1063 |
29 |
| S2 |
68 |
66 |
134 |
64 |
66 |
130 |
66 |
64 |
130 |
69 |
66 |
135 |
City Voices Chorus
If You Love Me,
You Were Meant for Me Medley |
55 |
S1 |
68 |
67 |
135 |
64 |
61 |
125 |
70 |
68 |
138 |
66 |
70 |
136 |
|
1057 |
30 |
| S2 |
64 |
60 |
124 |
65 |
62 |
127 |
69 |
69 |
138 |
66 |
68 |
134 |
| Fox Valley Chorus. I'm Alone Because I Love You, Jazz Holiday Medley |
52 |
S1 |
64 |
62 |
126 |
68 |
63 |
131 |
59 |
57 |
116 |
63 |
65 |
128 |
|
1010 |
31 |
| S2 |
68 |
64 |
132 |
67 |
64 |
131 |
59 |
57 |
116 |
63 |
67 |
130 |
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